Raquel Macartney
Instagram @raquelmacartney
UK based, Christian, British, Filipina Artist working and living in Birmingham and London. Single mother to 2 pre/teenagers.
UK based, Christian, British, Filipina Artist working and living in Birmingham and London. Single mother to 2 pre/teenagers.
Ruby Khan is a London based contemporary artist. She has recently graduated with a Fine Arts BA (Hons) degree at the University of East London. She specialises in printmaking, painting, photography, sculpture and installation. Her work intends to trigger ideas around the diversity and history of London from a personal perspective. Her work is celebrating the physical and emotional journey she has undertaken throughout her life. At a young age, Ruby attended art therapy sessions during her childhood; Art supported her throughout her life in speaking and writing. At the age of five, Ruby was diagnosed with a speech-language impairment affecting her self-confidence. Through the
ongoing support of a charity called Contact a Family, Ruby has grown into a strong independent and fearless individual expressed in her prints. Inspired by German expressionist art as she uses shapes, abstract colours and gestural mark-making. She is available for commissions.
My practice is about boundaries. I believe The rise of the idea of “posthuman” had, in many ways, shaken the fundamentals of dualism. To think that there is an absolute binary relationship between human and machines, nature and culture, object and image, identity, gender ... etc, is simply missing a lot regarding the quintessence of being. And I believe this “missing” is where contemporary art needto engage. Thus I like to work around blurring and challenging these boundaries.I work with image, live art and various forms of media.
I am currently working withbiometric data and computer language, and how the entanglement of the two creating a condition where I am in between physical and non - physical existence, me becoming together with the machine.
James Barnor was born in Accra, Ghana in 1929. He began work as a photographer in Accra?s Jamestown district in 1947 where he set up the Ever Young studio, taking photographs of the local community. He also worked as a photojournalist for the Daily Graphic and Drum magazine, which led him to London in the 1960s. Beyond his studio photography and press commissions, Barnor also has an extensive archive of street reportage. After spending the 1960s in Britain, Barnor returned to Ghana at the end of the decade where he helped open the country?s first colour-processing laboratory. In 1993, after 24 years in Ghana, Barnor returned to London where he continues to live today. His varied body of photographic work documents the shift towards modern living as experienced by black people in both Africa and Britain.
I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.
Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.
M Dillon is an artist and designer who makes mixed media collage and sculpture that might appear superficially decorative or humorous, but there is a narrative beyond the decoration that aims to provoke a specific response of disquiet.
I am an artist and architect based in West London.
My medium is black ink pen and marker on Fabriano paper. I create a series of drawings and am currently working on a Biophilia project focused on nature and culture themes.
I was brought up in the forest of Borneo and my work reflects my heritage of living in nature.
My drawings series began in 2010 amid the financial crisis. Then after the pandemic struck in 2019, I have been rigorously spending more time on drawing series in which I am seeking a representation for my works.
Recently named one of the UK?s most influential conservationists by BBC Wildlife Magazine, ATM has been at work on the lane reminding us of the population decline of some of Britain?s most important pollinators ? moths and beetles.