Tim has a range of experience in both exhibiting and constructing commissioned work in the landscape. A proven track record of Commissions and Residencies, Including, Artist in Residence at The Irwell Sculpture Trail, The Grizedale Forest, and The National Cycle Network.
Stik started painting unofficial, socially conscious murals in his hometown of Hackney, East London in 2001. His simple stick figures wordlessly tell the story of his community and he frequently collaborates with hospitals, charities and homeless organisations. Working from his East London studio, these projects are largely self-funded and he now creates monumental artworks with communities across the world.
I was a local district nurse for many years,following retirement, I obtained a degree in ceramic and glass .I have enjoyed making many animals & figures sinces. My claim to fame is that during lockdown I appeared on BBC1 show
" Home is where the art is" series 2 episode 11. The commission was for a personalised piece of the person and all the things she likes in her life. Find out more at my website: www.ceramicandglass.co.uk
I am an artist inspired by hip hop and gospel music... I love to sing and am part of a gospel choir. I currently volunteer at the W3 gallery. I also speak Arabic and do translation into English.
UK based, Christian, British, Filipina Artist working and living in Birmingham and London. Single mother to 2 pre/teenagers.
I am a photographer based out of Acton. I specialise in outdoor photography, mainly street, fashion, portrait and travel. I am happy to do commissions and shoots.
*GRRRL & PAINT*
Fem Sorcell is a multi media site-specific artist, who aims to draw you into a surreal and ethereal world filled with botanicals and delicate line work.
@femsorcell
Nudes and nature are my most prominent source of inspiration and subject. I believe that depicting people in their most natural form expresses a sense of honesty and vulnerability. Furthermore, clothes would date the image and constrict the artwork to a precise moment in time. I try to make the era and location somewhat ambiguous and unrecognizable, because I like to create images that are both comforting with their familiarity, but also raise curiosity and questions open to each personal interpretation.
In an aim to rekindle a somewhat lost relationship with something that is fundamental to our survival and well-being, my work focuses on the human relationship with nature. Female forms are reoccurring in my practice as they too have the ability to create and bring new life to the world. For this reason, they play the role of a metaphor for mother nature herself. Furthermore, I often include animals that I have had personal experiences with and enjoy researching their symbolic meaning
I begin by roughly sketching out my idea, and then do a cyanotype print; a photosensitive chemical process which needs to be exposed in the sun. The outcome varies dramatically depending on weather conditions and time of year. I then paint over the print with acrylic paint. The cyanotype stains the canvas, whereas the acrylic sits on the surface, creating a real contrast in textures. Furthermore, it combines a natural phenomenon with a man made medium. I also enjoy playing with scale by having recognisable plants larger than the figures, as it emphasizes how we are a small part of the world and not the center, nor the most significant...
I am a 14 Year old wildlife and portrait photographer. I started my business in photography when I was only 12 during lockdown. My photography studio is based in West London, UK
Lily Mixe is a graphic artist originating from Paris who has now based herself within the creative hot bed of London, UK.
Lily?s artwork moves from paper and canvas, found objects and onto the surface of walls in the street.
At the centre of the work is Nature and in particular the Ocean. The subjects are otherworldly, aliens from our own planet. Specimens that offer reminders of how beautiful and complex life on Earth can be and how much of our own planet is unknown and undiscovered.
Inspired by numerous diving expeditions, and hundreds of notebooks and studies of animals and plants, the work is both familiar and unusual. Lily states, ?The work examines life under the surface, the incredible unseen, silent beings we take for granted. I want to give a visual voice to the natural world. I want to celebrate nature in the same way we value precious stones and rare artefacts, I place nature as the highest currency on planet earth?
Lily?s work mutates. It starts as a sketch, it builds and becomes a form, filling and layering textures and patterns that give it a life of its own. The art lives in books, on paper, found objects and ultimately become fully realised when added to the landscape; pasted to bricks and cement, continuing to change over time, changing with the weather, with plants, pollution, graffiti.
The work really starts to take shape once lily walks away. Making the art is only half of the process, placement of the piece is key to its completion, the transient and brutal spirit of nature frames the work, pasting drawings to a wall is an offering, and a sacrifice, an experiment, to see the drawings grow, change, and often be destroyed by the environment and time.