Maximo
poliedric artist with a keen eye to every material and shape, nature inspired, compromised by the industrial. definitelly gone on my strange way
poliedric artist with a keen eye to every material and shape, nature inspired, compromised by the industrial. definitelly gone on my strange way
O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.
I am a multidisciplinary artivist whose ideas circulate around protest, apocalyptic possibilities, climate change and utopia. I often take an anarchic view to traditional spaces for art and prefer using public interventions and community collaborations to spark energy for change. I grew up in Brentford and I have a degree in Fine Art and Art History from Manchester School of Art and The University of Barcelona. I am currently based in London and I have always lived in cities; the grit and absurdity of which are often captured in my works. My practice sits on a line between humour and horror, humour being a useful tool with which to approach hyperobjects such as the climate crisis and neoliberal global capitalism. I regularly use recycled materials and objects collected from the streets to make work as an act of non-monetary exchange, community cleaning and through which I enjoy subverting the elitism which surrounds the art world.
Being both an artist and art psychotherapist, I am interested in the healing capacity of art as well as its role in conveying meaning and communication with both the internal and external words. I draw inspiration for my paintings from my unconscious as it manifests in dreams and visions. I am inspired by esoteric sciences such as Kabbalah and quantum mechanics. My treatment of photography evokes that of painting and is highly experimental in nature. The shots are created with the use of self-made optical devices, which allow me to beguile the camera into shooting abstract images. In more than one way these instruments replace paint tubes and brushes.
Originally from France, Zabou moved to and started painting London in 2012. She has since then been on a self-appointed mission to paint as much of the capital as possible. With a seemingly endless supply of fresh designs to work with, Zabou is very much one of London?s most proactive artists.
Her works are striking, humourous and thought-provoking, set to elicit a range of emotions upon viewing, depending on the message each mural conveys. Working with a combination of stencil and freehand techniques, she likes to question society and to poke fun at conformists. First and foremost however is the fact that each of Zabou?s subjects are drawn from her personal experiences, taking what she sees around her and projecting it to a new audience.
Beyond this, and what is fundamental about Zabou?s work, is her innate ability to integrate the location and surroundings with her artworks: not just wishing to paint on the street, she makes them part of the street. The pieces harmonise with their surroundings and in turn create something which allows its audience to engage with the work as an installation. This is the very essence of street art and something few artists master, but certainly one of Zabou?s greatest talents.
Her witty and thoughtful designs have given her a much sought after reputation, leading her to travel the world to spread her artistic message of love, fun or rebellion. She has painted in England, France, Portugal, Cyprus, Sweden, Spain, Germany, Netherlands, Dubai and the U.S.A. Beyond her travels, Zabou?s accomplishments include speaking events such as the prestigious TedX conferences on the subject ?Everything you know is wrong? in Limassol, Cyprus (2014), seeing her artwork published in books including: Planet Banksy by Ket (2014) and The World?s 50 Best Women Street Artists by Graffito Books (2017), as well as having her work exhibited at the famous Saatchi Gallery in London as part of the ?XX: A Moment In Time? show curated by Olly Walker (2016).
Zabou is an artist whose techniques and boldness are constantly evolving. She is certainly not set to be stopping on her journey anytime soon, fortunately she has to much left to say to the world.
One constant theme evident in Yousif's numerous, paintings and drawings is the suffering of Iraq and the pain of exile. His largest project Black Rain is an ongoing undertaking, which began as a painting project during the build up to the 2003 invasion of Iraq. It quickly acquired momentum and generated much local media coverage. Gradually it evolved into a a series of paintings comprising of multi-and-single media works, ranging from gigantic canvases to small drawings, collages and paintings, all inspired by the horrors of war.
I am a textile and mixed media artist working with found objects. My mission is to re-use and recycle discarded materials in a transformative way. Recognising that an alternative view can also be beautiful.
I run creative workshops at my local library.
Martin's practice reflects a lifelong fascination with a non-dualistic conception of the world, which both feeds and is informed by his interest in Buddhism, where states considered to be binary opposites can co-exist in the same time and place. The heightened sense of reality as encountered in dreams and moments of clarity is at the core of his work. His pursuit of photography, video and timbre-based electronic music can be traced back to his school days.
Photomontage and music has been the basis of much of his recent practice, but he employs whichever medium he finds most appropriate for a given project, and works include sculpture, assemblage, and chocolates moulded from his own body. He performs and records under the name "Flooded Access", and in the audio/visual project "on&off"
My messages are pointing out on people consciousness, to be free and more tolerant, to have good spirit. Beauty is in simplicity, not in complications.