Carrie is a self-titled craftivist who works from a mosaic-covered HQ, The Treatment Rooms in west London. Her work blurs the boundaries between craft and activism, using the craft techniques of mural, mosaic and screen-printing to create intricate, highly politicised works of art.
My interest is in the play of colour and texture as they revolve around nature and people. I use digital software to re-work sketches, painting and photographic images to explore the play of colour, texture and line that presents itself. It's a multi-layered approach whereby original sketches and photographs may be re-worked, re-painted and then re-worked a number of times till completion of the final image – a process that can take many months. My aim is to delight and surprise the viewer – for them to see and feel an abstraction of the familiar re-presented from a new perspective.
I’m a multidisciplinary artist driven by a deep need to express, heal, and tell stories that often go unheard. My journey began in architecture and design, but over time, I realised that my true voice lived in the space where art meets emotion—where personal and collective histories collide.
My work is rooted in identity, faith, and memory. I create to reflect on who we are, where we come from, and what we carry—whether joy, pain, tradition, or resilience. One of my most personal pieces, The Blood-Stained Child, was born from a place of sorrow and confrontation. It's a raw and unfiltered response to the violence I’ve witnessed in my community—an image of innocence caught in chaos. It hurt to make, but it had to be made. That piece helped me grieve, helped me pray, and reminded me why I create in the first place: to process pain, to provoke thought, and to call for peace.
Much of my work, including More Love, Less War, seeks to bridge divides—ethnic, religious, generational. I draw from my Nigerian heritage, using symbols, colors, and textures that hold weight and meaning, but I also reinterpret them through a modern lens. I want my art to feel both ancestral and alive—tied to the past but speaking clearly to today.
Whether I’m working with digital media, string, textiles, or paint, I approach every project with the same intention: to stir something real. I believe art has the power to build empathy, to challenge injustice, and to heal. For me, this isn’t just about aesthetics—it’s about presence, purpose, and pushing through silence with something that speaks.
My family home is in Cowes on the Isle of Wight. I moved to Southampton to complete an Art Foundation course followed by a three-year Textile Degree at Farnham Art College, after which I worked as a print designer in London for 2 years, giving me a more rounded understanding of the textile industry.
Wanting an adventure, I spent the summer of 92 working with young children in the Catskill Mountains in New York, as part of the Camp America summer camp program, before travelling the East coast of America. Several years working in retail funded a year-long backpacking trip through Thailand, Vietnam, Malaysia, Indonesia, Singapore, and Hong Kong.
Returning to London, I started working for Marks and Spencer, where I’d stay for the next 22 years in a variety of roles. I started as a merchandiser but soon returned to my passion as a textile designer progressing to senior textile designer within a few years.
Working for M&S as a textile designer was my dream job. I worked creatively every day with textiles, following the latest lifestyle, product, and colour trends. I travelled the world as part of a team visiting textile fairs, shopping for inspiration, and working closely with factories to deliver beautiful product for the seasonal ranges.
In 2020, the impact of COVID meant I was furloughed for seven weeks and by the end of the year, the M&S design team was reduced by half resulting in my redundancy.
In that time, my younger sister asked if I’d like to illustrate a story that she was writing for her two young sons. Redundancy allowed me to focus on illustrating the book while also giving me the time to learn about the book publishing industry. From hand-painting the watercolour illustrations, to book layout design, to learning about print and production techniques.
I sourced a UK print house as sustainability is very important to us both, and we printed the books in the UK to keep their carbon footprint low, using FCS certified paper and vegetable inks.
In 2021 Frederick the Fox was rolling off the presses! Having learned a lot about production, marketing and distribution, we published our second book, Maximus the Mouse in 2023.
Both books are beautiful rhyming stories of friendship, brought to life with colourful hand painted watercolour illustrations perfect for children up to six years old.
I work at my small kitchen table in Chiswick and enjoy painting and experimenting with my trusty set of watercolours. If I’m not painting, I’m using my MacBook Pro to digitize artwork or to stay in touch with current retail partners and to contact new potential partners, set up book readings, craft sessions, or market stalls.
Illustrating Maximus the Mouse planted the seed for me to explore other products using both my existing and new artwork. This summer I produced a range of animal alphabet prints that I’m selling through select retail partners. Each design is beautifully hand painted with watercolours then Giclee printed onto a high quality art paper using fade resist inks. Perfect for adding a personal touch to any nursery, child's bedroom or playroom . Or if you're looking for something smaller each print has been developed as a greetings card.
Future plans include product personalisation within the Inky Flamingo range.
As an Eco-artivist, 'Rubbish artist,' and mosaicist, I pioneer sustainable art, creating works entirely from waste and with the minimum possible environmental impact.
Haunted by mankind’s imminent self-destruction, I believe in systemic re-thinking. Each tessera I create is a protest against our disposable lifestyle.
My commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes, and not flying.
Formerly a City solicitor, I graduated with distinction from LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards. I ama member of the Insights Of An EcoArtist community (IOAEA), the By/Design collective, Act for Ealing, BAMM, Heritage Crafts, VAA and Mensa.
I am the founder of Payment in Kind(ness)© (accepting eco-friendly actions as payment towards my artwork) and of ArtforTrash© (creating artwork with the clients’ own waste). I donates 10% of any ArtforTrash commission to Neptune's Pirates (or other environmental charities), and I run pro-bono projects on eco-awareness.
I amnow on retainer with the Institute of Marine Sciences in Venice for the next few years.
Elizabeth Groth is a Texan artist & educator in North Acton, London.
Martin's practice reflects a lifelong fascination with a non-dualistic conception of the world, which both feeds and is informed by his interest in Buddhism, where states considered to be binary opposites can co-exist in the same time and place. The heightened sense of reality as encountered in dreams and moments of clarity is at the core of his work. His pursuit of photography, video and timbre-based electronic music can be traced back to his school days.
Photomontage and music has been the basis of much of his recent practice, but he employs whichever medium he finds most appropriate for a given project, and works include sculpture, assemblage, and chocolates moulded from his own body. He performs and records under the name "Flooded Access", and in the audio/visual project "on&off"
Artist /designer with a background in visual & performing arts, architecture and building design with interest in the therapeutic benefits of art in public spaces. He's here to share and discuss all things creative and artistic! David has collaborated on cross disciplinary projects, taught art and worked closely with bodies such as New York’s Groundswell Community Mural Project, the UK Department of Health and NSPCC with an aim to promote the social and therapeutic benefits of art in public spaces.
I am awarded, London-based photographer. I create colourful portraits of food. I like to experiment with textures and shapes, creating compositions that harmonise with colours. My goal is to draw the viewer's eye through the fun, colourful forms of the photographed object.
Being both an artist and art psychotherapist, I am interested in the healing capacity of art as well as its role in conveying meaning and communication with both the internal and external words. I draw inspiration for my paintings from my unconscious as it manifests in dreams and visions. I am inspired by esoteric sciences such as Kabbalah and quantum mechanics. My treatment of photography evokes that of painting and is highly experimental in nature. The shots are created with the use of self-made optical devices, which allow me to beguile the camera into shooting abstract images. In more than one way these instruments replace paint tubes and brushes.