Wai Lok Cheung

https://www.michael-cheung.com/

My practice is about boundaries. I believe The rise of the idea of “posthuman” had, in many ways, shaken the fundamentals of dualism. To think that there is an absolute binary relationship between human and machines, nature and culture, object and image, identity, gender ... etc, is simply missing a lot regarding the quintessence of being. And I believe this “missing” is where contemporary art needto engage. Thus I like to work around blurring and challenging these boundaries.I work with image, live art and various forms of media.

I am currently working withbiometric data and computer language, and how the entanglement of the two creating a condition where I am in between physical and non - physical existence, me becoming together with the machine.

Nigel Ryan

ibeep Photography

My ongoing passion is for taking both highly accurate documentary-style photographs of situations and creating more abstract images which capture beauty, impression and movement. In either form I feel that I have an eye for capturing something unique whilst also gathering and conveying the mood of the environment.

Jacqui Sinnatt

https://www.stagneseve.com/art-prints/

Karc

https://karcart.co

Karc (born on 06.07.1994) earned her Master's degree in sculpture from Gdansk's Academy of Fine Arts in May 2019. After graduation, she relocated to Alaska and later to New York, experiencing life in both a remote village near glaciers with real threats of bears and lynxes, and the vibrant urban jungle of New York City. In December 2019, she volunteered in Eastern Ukraine, helping people living in the Ukrainian-Russian conflict zone.
Amidst the pandemic, she moved to London and began decorating the city with abstract graffiti compositions, contributing to the rare representation of women in street art.

Lily Mixe

? Look deep into nature, and then you will understand everything better. ? Albe…

Lily Mixe is a graphic artist originating from Paris who has now based herself within the creative hot bed of London, UK.
Lily?s artwork moves from paper and canvas, found objects and onto the surface of walls in the street.

At the centre of the work is Nature and in particular the Ocean. The subjects are otherworldly, aliens from our own planet. Specimens that offer reminders of how beautiful and complex life on Earth can be and how much of our own planet is unknown and undiscovered.

Inspired by numerous diving expeditions, and hundreds of notebooks and studies of animals and plants, the work is both familiar and unusual. Lily states, ?The work examines life under the surface, the incredible unseen, silent beings we take for granted. I want to give a visual voice to the natural world. I want to celebrate nature in the same way we value precious stones and rare artefacts, I place nature as the highest currency on planet earth?

Lily?s work mutates. It starts as a sketch, it builds and becomes a form, filling and layering textures and patterns that give it a life of its own. The art lives in books, on paper, found objects and ultimately become fully realised when added to the landscape; pasted to bricks and cement, continuing to change over time, changing with the weather, with plants, pollution, graffiti.

The work really starts to take shape once lily walks away. Making the art is only half of the process, placement of the piece is key to its completion, the transient and brutal spirit of nature frames the work, pasting drawings to a wall is an offering, and a sacrifice, an experiment, to see the drawings grow, change, and often be destroyed by the environment and time.

Emiliya

https://www.instagram.com/emaemiliya_art_trial/

I'm a new artist. I used to draw in my teens age and later as most of us just give up. Now the pandemic makes me go back to my hobbie. Unfortunately, I have no website yet but using social media.

Wakrot Chinshaka

Art portfolio website

I’m a multidisciplinary artist driven by a deep need to express, heal, and tell stories that often go unheard. My journey began in architecture and design, but over time, I realised that my true voice lived in the space where art meets emotion—where personal and collective histories collide.

My work is rooted in identity, faith, and memory. I create to reflect on who we are, where we come from, and what we carry—whether joy, pain, tradition, or resilience. One of my most personal pieces, The Blood-Stained Child, was born from a place of sorrow and confrontation. It's a raw and unfiltered response to the violence I’ve witnessed in my community—an image of innocence caught in chaos. It hurt to make, but it had to be made. That piece helped me grieve, helped me pray, and reminded me why I create in the first place: to process pain, to provoke thought, and to call for peace.

Much of my work, including More Love, Less War, seeks to bridge divides—ethnic, religious, generational. I draw from my Nigerian heritage, using symbols, colors, and textures that hold weight and meaning, but I also reinterpret them through a modern lens. I want my art to feel both ancestral and alive—tied to the past but speaking clearly to today.

Whether I’m working with digital media, string, textiles, or paint, I approach every project with the same intention: to stir something real. I believe art has the power to build empathy, to challenge injustice, and to heal. For me, this isn’t just about aesthetics—it’s about presence, purpose, and pushing through silence with something that speaks.

Sarah Olive Edwards

Bio: Sarah has worked in the creative industries for 14+ years as a freelance graphic designer, and has now expanded into the area of arts facilitation.

Sarah’s involvement with collective arts creation was stirred most recently while creating a mural at local mental health charity MindFood, and she went on to be a co-founder of Welcome Create, a community art group at Pitzhanger Manor & Gallery.

She enjoys working with all ages, and values listening to the needs and desires of those involved to co-produce ideas, creating a sense of learning via exploration and peer-to-peer interactions, connection and increased self-confidence.

Laura Gompertz

https://www.lauragompertz.com

Laura is a local artist and has lived in Chiswick for most of her life.

She was originally a theatre designer, creating sets and costumes for Alan Ayckbourn premieres, pantomimes, touring shows and film. She has worked as an interior designer since 2008, building up an award winning interior design practice specialising in bespoke kitchens, Laura Gompertz Interiors.

Every year she has an open studio weekend in West London with Artists At Home and she shows regularly with the artists' collective ArtCan as well as elsewhere.

Laura's paintings are in private collections worldwide

Ekta Mody Pathak

Storybeyondlines was conceptualized by myself, aimed at bringing the traditional & spiritual art to the world. To promote art which not only brings joy to people, but also has soothing and transformative effects on ones’ energy, has been a key theme of Storybeyondlines.

A self-taught artist, I have had a deep inclination for art since childhood and have been creating artwork since more than a decade.
Over the years, I realized that I wanted to bring to the world the art that would make someone feel connected to his/her spiritual energy, and therefore my passion for the mandala art grew and I took to her calling to bring forward this artwork to a wider audience. With numerous workshops to my side, and many customized art-works created for my clients, I have been deeply rooted to expressing and bringing forward my art form across borders.