Yasmin Centeno

This is my personal portfolio

I am a photographer based out of Acton. I specialise in outdoor photography, mainly street, fashion, portrait and travel. I am happy to do commissions and shoots.

Leonard Lesic

https://www.red-sparrow.net/

My messages are pointing out on people consciousness, to be free and more tolerant, to have good spirit. Beauty is in simplicity, not in complications.

Vivien Phelan

https://www.ceramicandglass.co.uk

I was a local district nurse for many years,following retirement, I obtained a degree in ceramic and glass .I have enjoyed making many animals & figures sinces. My claim to fame is that during lockdown I appeared on BBC1 show
" Home is where the art is" series 2 episode 11. The commission was for a personalised piece of the person and all the things she likes in her life. Find out more at my website: www.ceramicandglass.co.uk

Anna Twarog

Artem in Lucem

I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.

Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.

Sarah Olive Edwards

Bio: Sarah has worked in the creative industries for 14+ years as a freelance graphic designer, and has now expanded into the area of arts facilitation.

Sarah’s involvement with collective arts creation was stirred most recently while creating a mural at local mental health charity MindFood, and she went on to be a co-founder of Welcome Create, a community art group at Pitzhanger Manor & Gallery.

She enjoys working with all ages, and values listening to the needs and desires of those involved to co-produce ideas, creating a sense of learning via exploration and peer-to-peer interactions, connection and increased self-confidence.

Francesca Busca

https://www.francescabusca.art

As an Eco-artivist, ‘Rubbish artist’ and mosaicist, I pioneer sustainable art and create my artworks entirely out of waste.
Torn between optimism and surrender, haunted by the idea of mankind’s imminent self-destruction, I believe in a future through systemic re-thinking. Every tessera I create is in itself a protest against our disposable lifestyle. I thoroughly enjoy working within the ethical and material limitations involved, working with materials which often take years to gather, and whose legacy I like to extend beyond their mere creation, as the starting point for a continued, multi-faceted narrative through layers of staged photography.
Gesamtkunstwerk, my commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes (…) to not flying.

Ex-City solicitor, I then graduated with distinction at LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards.

Founder of Payment in Kind(ness)© and ArtforTrash©, I also run pro-bono art projects on eco-awareness and sustainability.

I am now on a retainer with the Institute of Marine Sciences in Venice, collaborating with the institute and with some prestigious art institutes over the next few years.

James Barnor

Pioneering photographer

James Barnor was born in Accra, Ghana in 1929. He began work as a photographer in Accra?s Jamestown district in 1947 where he set up the Ever Young studio, taking photographs of the local community. He also worked as a photojournalist for the Daily Graphic and Drum magazine, which led him to London in the 1960s. Beyond his studio photography and press commissions, Barnor also has an extensive archive of street reportage. After spending the 1960s in Britain, Barnor returned to Ghana at the end of the decade where he helped open the country?s first colour-processing laboratory. In 1993, after 24 years in Ghana, Barnor returned to London where he continues to live today. His varied body of photographic work documents the shift towards modern living as experienced by black people in both Africa and Britain.

Raquel Macartney

Instagram @raquelmacartney

UK based, Christian, British, Filipina Artist working and living in Birmingham and London. Single mother to 2 pre/teenagers.

Lisa Read

http://www.inkyflamingo.co.uk

My family home is in Cowes on the Isle of Wight. I moved to Southampton to complete an Art Foundation course followed by a three-year Textile Degree at Farnham Art College, after which I worked as a print designer in London for 2 years, giving me a more rounded understanding of the textile industry.

Wanting an adventure, I spent the summer of 92 working with young children in the Catskill Mountains in New York, as part of the Camp America summer camp program, before travelling the East coast of America. Several years working in retail funded a year-long backpacking trip through Thailand, Vietnam, Malaysia, Indonesia, Singapore, and Hong Kong.

Returning to London, I started working for Marks and Spencer, where I’d stay for the next 22 years in a variety of roles. I started as a merchandiser but soon returned to my passion as a textile designer progressing to senior textile designer within a few years.

Working for M&S as a textile designer was my dream job. I worked creatively every day with textiles, following the latest lifestyle, product, and colour trends. I travelled the world as part of a team visiting textile fairs, shopping for inspiration, and working closely with factories to deliver beautiful product for the seasonal ranges.

In 2020, the impact of COVID meant I was furloughed for seven weeks and by the end of the year, the M&S design team was reduced by half resulting in my redundancy.

In that time, my younger sister asked if I’d like to illustrate a story that she was writing for her two young sons. Redundancy allowed me to focus on illustrating the book while also giving me the time to learn about the book publishing industry. From hand-painting the watercolour illustrations, to book layout design, to learning about print and production techniques.

I sourced a UK print house as sustainability is very important to us both, and we printed the books in the UK to keep their carbon footprint low, using FCS certified paper and vegetable inks.

In 2021 Frederick the Fox was rolling off the presses! Having learned a lot about production, marketing and distribution, we published our second book, Maximus the Mouse in 2023.

Both books are beautiful rhyming stories of friendship, brought to life with colourful hand painted watercolour illustrations perfect for children up to six years old.

I work at my small kitchen table in Chiswick and enjoy painting and experimenting with my trusty set of watercolours. If I’m not painting, I’m using my MacBook Pro to digitize artwork or to stay in touch with current retail partners and to contact new potential partners, set up book readings, craft sessions, or market stalls.

Illustrating Maximus the Mouse planted the seed for me to explore other products using both my existing and new artwork. This summer I produced a range of animal alphabet prints that I’m selling through select retail partners. Each design is beautifully hand painted with watercolours then Giclee printed onto a high quality art paper using fade resist inks. Perfect for adding a personal touch to any nursery, child's bedroom or playroom . Or if you're looking for something smaller each print has been developed as a greetings card.

Future plans include product personalisation within the Inky Flamingo range.

Maximo

poliedric artist with a keen eye to every material and shape, nature inspired, compromised by the industrial. definitelly gone on my strange way