OurArtists

Damselfly
It's about time, cyanotype print , acrylic and Pigments on canvas
Multimedia artist

Georgie Moore

https://www.georgiemooreart.com/

Nudes and nature are my most prominent source of inspiration and subject. I believe that depicting people in their most natural form expresses a sense of honesty and vulnerability. Furthermore, clothes would date the image and constrict the artwork to a precise moment in time. I try to make the era and location somewhat ambiguous and unrecognizable, because I like to create images that are both comforting with their familiarity, but also raise curiosity and questions open to each personal interpretation.

In an aim to rekindle a somewhat lost relationship with something that is fundamental to our survival and well-being, my work focuses on the human relationship with nature. Female forms are reoccurring in my practice as they too have the ability to create and bring new life to the world. For this reason, they play the role of a metaphor for mother nature herself. Furthermore, I often include animals that I have had personal experiences with and enjoy researching their symbolic meaning

I begin by roughly sketching out my idea, and then do a cyanotype print; a photosensitive chemical process which needs to be exposed in the sun. The outcome varies dramatically depending on weather conditions and time of year. I then paint over the print with acrylic paint. The cyanotype stains the canvas, whereas the acrylic sits on the surface, creating a real contrast in textures. Furthermore, it combines a natural phenomenon with a man made medium. I also enjoy playing with scale by having recognisable plants larger than the figures, as it emphasizes how we are a small part of the world and not the center, nor the most significant...

Sevda Uykan
"Funeral" by "Sevda Uykan"
Contemporary

Sevda Uykan

https://www.sevdauykan.com

Contemporary artist / Painter/ Writer

my last portrait
oil painting on canvas
Oil painting, jewelry making

Beata Maria Kolodynska

https://www.facebook.com/BeataMariaKolodynska

I am an artist passionate about many fields of art, but I mainly deal with oil painting and creating copper jewelry. My inspiration is nature, through the world of plants, animals and landscapes. In my works, I sometimes like to refer to impressionistic lights and colors, and sometimes I want to create decorative fairy-tale worlds. When creating jewelry, I am inspired by the raw patterns of primitive old cultures.

glass painting, watercolours, acrylics
Artem in Lucem
multimedia artist

Anna Twarog

Artem in Lucem

I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.

Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.

Myself
My Paintings
Painter

Vita

Art is not just a hobby, it’s a lifestyle!

Ijo Iyawo (Bridal Dance)
O Yemi at work
Visual Artist

O Yemi Tubi(MOYAT)

https://o-yemi-tubi.pixels.com

O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

Carrie Reichardt
V&A 'Power to the People' part of the 'Disobedient Objects' exhibition
Craftivist

Carrie Reichardt

Specialising in craft and art as protest

Carrie is a self-titled craftivist who works from a mosaic-covered HQ, The Treatment Rooms in west London. Her work blurs the boundaries between craft and activism, using the craft techniques of mural, mosaic and screen-printing to create intricate, highly politicised works of art.

Anum Hashmi
'Tree house'
Mixed media Artist

Anum Hashmi

https://www.instagram.com/_anumhashmi_?igsh=MW8wdjJ1ZW8zN2NzNQ%3D%3D&utm_source…

As a mixed media Artist the process of mono printing, painting and photo manipulation sustains Anum Hashmi’s studio practice. Mimicking the world she documents, on it’s ever changing journey as buildings, nature and people and their communities evolve and re-purpose. Collections of photographs, sketches and maps, take life in a diverse series of mixed media pieces, engaging in a meditative cycle of layering manipulating , rephotographing and then transforming into a digital mixed medium onto fabrics or unconventional materials. They’re layered to merge within its own time capsule in an attempt to capture nature, time, and changing spaces.
In the pursuit to beautify the mundane facades of everyday life, she addresses socio economical issues that displaces people along with their communities. As a british Pakistani, her fascination lies with the idea of preserving cultural traditions and practices from heritage ,migration and faith narratives, in particular the Indian sub continent from the eye of a second generation immigrant. Anum seeks to evoke and promote a sense of unity and ethnic enrichment when people of different faith and cultures interact and intertwine based on their social positions in society, whilst still giving a voice to the under represented and relay their stories.

Hanwell Artist and Photographer
'Vivid Sky' by Benjamin Timothy Finch
Photographer

Benjamin Finch

I believe the secret to taking great photographs is opportunity.
The braver and more courageous you are, the greater the rewards will surely be. I am heavily inspired by my travels and adventures around the world but also discovering things a lot closer to home. I love the diversity that each photograph can bring and I embrace the excitement that a new challenge can present.

Elizabeth Groth
Cloud Seven, Madrid, Spain
Painting, installation, sculpture, collage, print, fibers

Elizabeth Groth

http://www.elizabethgroth.com/

Elizabeth Groth is a Texan artist & educator in North Acton, London.

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