In every work I create, I put all I have inside. Every piece tells a story, and it is the result of a very specific feeling. All of them are unique pieces created in a time of internal burning. I find no sense in creating a piece without having a strong sickening need to do so. My pieces are made of fire.
Elizabeth Groth is a Texan artist & educator in North Acton, London.
Tim has a range of experience in both exhibiting and constructing commissioned work in the landscape. A proven track record of Commissions and Residencies, Including, Artist in Residence at The Irwell Sculpture Trail, The Grizedale Forest, and The National Cycle Network.
I believe the secret to taking great photographs is opportunity.
The braver and more courageous you are, the greater the rewards will surely be. I am heavily inspired by my travels and adventures around the world but also discovering things a lot closer to home. I love the diversity that each photograph can bring and I embrace the excitement that a new challenge can present.
As an Eco-artivist, 'Rubbish artist,' and mosaicist, I pioneer sustainable art, creating works entirely from waste and with the minimum possible environmental impact.
Haunted by mankind’s imminent self-destruction, I believe in systemic re-thinking. Each tessera I create is a protest against our disposable lifestyle.
My commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes, and not flying.
Formerly a City solicitor, I graduated with distinction from LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards. I ama member of the Insights Of An EcoArtist community (IOAEA), the By/Design collective, Act for Ealing, BAMM, Heritage Crafts, VAA and Mensa.
I am the founder of Payment in Kind(ness)© (accepting eco-friendly actions as payment towards my artwork) and of ArtforTrash© (creating artwork with the clients’ own waste). I donates 10% of any ArtforTrash commission to Neptune's Pirates (or other environmental charities), and I run pro-bono projects on eco-awareness.
I amnow on retainer with the Institute of Marine Sciences in Venice for the next few years.
Recently named one of the UK?s most influential conservationists by BBC Wildlife Magazine, ATM has been at work on the lane reminding us of the population decline of some of Britain?s most important pollinators ? moths and beetles.
I am an artist inspired by hip hop and gospel music... I love to sing and am part of a gospel choir. I currently volunteer at the W3 gallery. I also speak Arabic and do translation into English.
I’m a multidisciplinary artist driven by a deep need to express, heal, and tell stories that often go unheard. My journey began in architecture and design, but over time, I realised that my true voice lived in the space where art meets emotion—where personal and collective histories collide.
My work is rooted in identity, faith, and memory. I create to reflect on who we are, where we come from, and what we carry—whether joy, pain, tradition, or resilience. One of my most personal pieces, The Blood-Stained Child, was born from a place of sorrow and confrontation. It's a raw and unfiltered response to the violence I’ve witnessed in my community—an image of innocence caught in chaos. It hurt to make, but it had to be made. That piece helped me grieve, helped me pray, and reminded me why I create in the first place: to process pain, to provoke thought, and to call for peace.
Much of my work, including More Love, Less War, seeks to bridge divides—ethnic, religious, generational. I draw from my Nigerian heritage, using symbols, colors, and textures that hold weight and meaning, but I also reinterpret them through a modern lens. I want my art to feel both ancestral and alive—tied to the past but speaking clearly to today.
Whether I’m working with digital media, string, textiles, or paint, I approach every project with the same intention: to stir something real. I believe art has the power to build empathy, to challenge injustice, and to heal. For me, this isn’t just about aesthetics—it’s about presence, purpose, and pushing through silence with something that speaks.
I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.
Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.
Italian visual artist living and working in London.
Her practice ranges from illustration to decorative arts, upcycling and graphic design.
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